![]() ![]() On the contrary, her restrained photographs stay well clear of the obsessive nightmares of narcissism. This site is a pan-European collection of original First World War source material, including letters, diaries, photographs, films, postcards, and official. Including sketches and drawings made on the battle field by Reynolds, Francis J. For all her use of herself in her work, her practice is not egocentric. Colliers photographic history of the European War. It feels cooked and raw, forged and authentic, sad and droll. ![]() Indeed, Collier's photography is full of compelling contradictions. By freeing photographs from their immersion within European cultural expectation. Collier & Son Corporation and contains a large amount of fascinating black and white and some color photographs. Our Vitamin PH book focuses on her photographic work, examining how "her practice reconsiders the messy world of affective expression, paying particular attention to the way photographs act as transitional objects and repostitries of displaced feeling." John Collier (1957) first described this technique in an article. It is copyrighted 1946 and published by P.F. By appropriating images from the mass media - including iconic film posters, album covers, magazine pages, photographic test plates, and simple notebooks - and re-photographing them, Collier creates her own personal lexicon of popular culture. ![]() Her Double Exposure photograph steers clear of narcissism but is full of compelling contradictionsĪnne Collier's deadpan photographs draw on the traditions of West Coast conceptual and minimal art. ![]()
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